
On every other platform, saving photos on an iPhone means a new tab and a long‑press on each picture — the complaint you'll find in five‑star reviews of every big gallery platform. A Honeyfell gallery puts the entire session in their camera roll with one tap. That's the hook. Here’s the rest.
Galleries, scheduling, contracts, payments, prints and your website — one subscription, under your name. The free plan is free for good — 40 GB, no card, no ads. $15 a month if you outgrow it.
One tap through the system share sheet on any phone — no account, no zip file, no new tab. In the free iPhone app, print‑quality originals save straight to the camera roll on paid plans; the web's one‑tap flow delivers web‑size copies on every plan.

Free plan, not a trial · 40 GB · no card, no invite · answered by a person · a tree planted for every studio that joins
You text one link. It opens to a cover photograph the size of their screen, your studio name above it, and their photographs laid out the way you'd hang them on a wall. No sign-up wall. No password reset. No zip file waiting on a laptop they'll get to next weekend.
Your camera originals stay on your drives. Free galleries deliver web-res that still looks like this; paid plans let clients take home full resolution.
Not seven tools handing a client to each other. One record that starts when they inquire and is still there a year later when it’s time to book again.
One client. One record. Eight moments you didn’t have to hold together yourself.
The day a client first sees their photographs is the day they feel the most about them. A week later they’re back at work, and the feeling has faded. Three campaigns are built to run into that window — write the offer once, and Honeyfell sends it, tracks it, and never sends it twice.
Armed the moment you publish a gallery. A time‑boxed discount lands while the excitement is still fresh — not three weeks later, when it’s gone.
A client adds a canvas to their cart and drifts off. One well‑timed email brings them back before the sale is gone for good.
A year to the day after the shoot, their gallery resurfaces with an offer — the print they meant to order, remembered at exactly the right moment.
If somebody is waiting to see themselves, Honeyfell was built for that wait.
If you shoot landscapes, products or events with no one waiting on the other end, you'll get less out of this than they will.
You spent years getting found. Moving platforms usually breaks every address you were found at — the links Google holds stop resolving, and the ranking goes with them. Honeyfell reads every URL your current site has, you decide where each one lands, and the old addresses answer with a real permanent redirect to the new ones, on your own domain.
Open Dates is scheduling the way a photographer actually works: publish the days you’re free, and clients pick from the times you opened — never your whole calendar, and nothing to sync. They can ask first, pay a deposit, or just book it. One line of code drops it into the site you already have, wearing your site’s own typeface — or it’s a block on your Honeyfell site, or simply a link you send.
If you need any of those today, Pic-Time or Pixieset Pro will serve you better — and I'd rather tell you now than take your month.
Tick only what you actually pay for today. These are published prices, not guesses.
You’d keep $240 a year, and stop reconciling separate bills.
Those are real published prices and you may well be paying less, on older plans or free tiers. Untick what doesn’t apply. The point isn’t that they’re expensive — it’s that there are five of them.
I photograph families, couples and portraits. I got tired of paying for galleries, a website and contracts separately to deliver one session, so I built all three into one thing and put my own studio on it.
There are no testimonials on this page because there aren't enough photographers on it yet to pick from honestly. Here's what's true instead.
A real studio runs on it. Wild and Western books, signs, gets paid, delivers and sells prints through Honeyfell — the same product on this page, not a staging copy.
It's on the App Store. Not a landing page with a waitlist. See the listing →
I answer the email. Not a queue. Me.
If you'd rather wait until there's a wall of logos on this page, that's fair, and I'd probably wait too. If you'd rather be early and have the person who built it pick up when you write — there's room.
Most photographers who move here started by sending one gallery while everything else stayed exactly where it was. If it doesn't fit, you've lost a session's worth of uploading and nothing else. That's the whole risk.
Keep your website where it is. Keep your contracts where they are. Change one thing, for one session, and see what your client says when the photographs land in their camera roll.
Run both for a season. Nothing to undo.
Send one gallery — free →No card · no invite · your existing setup untouched